Critical Essays On Rap Music

Critical Essays On Rap Music-87
Mona, I don't know rap well, but I have heard harmonic progressions in it that are more complex than the arrangements of root-position I, II, IV, V, and VI on which so many pop and rock songs are built -- not to mention raps that involve choruses, duets between the rapper and a singer, etc.I think resistance to calling it "music" is based mainly on the fact that rappers speak rather than sing; but we call Peter and the Wolf "music" despite its narrator, Wozzeck and Moses und Aron "music" despite their Sprechstimme, and so on. So at best, the notion that rap does in fact qualify as music won the day.The peculiarity of gangsta rap persists today since it is a form of music that expresses ghettocentricity.

Mona, I don't know rap well, but I have heard harmonic progressions in it that are more complex than the arrangements of root-position I, II, IV, V, and VI on which so many pop and rock songs are built -- not to mention raps that involve choruses, duets between the rapper and a singer, etc.I think resistance to calling it "music" is based mainly on the fact that rappers speak rather than sing; but we call Peter and the Wolf "music" despite its narrator, Wozzeck and Moses und Aron "music" despite their Sprechstimme, and so on. So at best, the notion that rap does in fact qualify as music won the day.The peculiarity of gangsta rap persists today since it is a form of music that expresses ghettocentricity.

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Conservatives who talk that way don't just forfeit the chance to influence the social norms surrounding the genre.Unlike other forms of rap that chronicled the black experience, gangsta rap is typically an expression of the black underclass survival in the punishing ghettos.The modern gangsta rap has evolved to provide the urban street life through violence and crime.And actually it's very difficult, in New York or California, it's murder trying to get a zoning permit to put a sex room in your house. JAY NORDLINGER: If I could say two things, rap has been all downhill since Sir Mix-a-Lot and "Baby Got Back"... To go back to rap, the idea that rap is the authentic expression of black identity, which is what a lot of these people -- the idea that Nat King Cole, Duke Ellington, Ella Fitzgerald ...the idea that any of these authentic black musicians would've thought that some guy doing some pneumatic laundry list of his hos is any kind of authentic expression of black culture or black identity is outrageous. There isn't anything wrong with lamenting the effect songs like "Sex Room" might have on teens hearing it at their first dance.But how absurd to reduce rap to Ludacris and Sir Mix-a-Lot.And how impossibly, comically uninformed to assert that the entire genre is bereft of "human feeling." Did the right learn nothing from its panicked, reductive reaction to Elvis Presley and the Beatles?One needn't even know any Hammerstein to appreciate his skillful, nuanced argument. And I used to think that in the end, everybody aspired to the condition of romantic love as expressed in "As Time Goes By." You know, or "The Way You Look Tonight" or "The Very Thought of You." And I'm a bit concerned these days that the fundamental things are not going to apply as time goes by. MARK STEYN: And I was thinking, what is it like when that's the song you dance to at your first dance?Compare that treatment to the conversation on a recent podcast that featured Steyn along with Jay Nordlinger and Mona Charen of National Review. It's mainstream, Steyn says, noting that it's now popular even among white suburban kids: MARK STEYN: I do have a big problem with that, in that I think there's an absence of human feeling in these songs. When you talk to social conservatives, they get upset because there's all these bad words in there. And that when 14-, 15-, 16-year-old girls, when they're listening to Ke$ha, listening to, there's a song I was listening to called "Sex Room." You can guess what it's about. And I'm not sure the fundamental things will apply as time goes by.Gangsta rap as sub-genre of hip hop has drawn a lot of controversy due to the type of lyrics that are used by the artists.The lyrics mainly concern the gang culture, sexual promiscuity, distaste for authority figures, inner-city violence and sexual promiscuity.

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