Durham E-Thesis Online

Search Chair Here (Dec 21): Applications received by Jan 31, 2019 will be given full consideration.We are doing a first round of Skype interviews in Jan 2019, and a second round of Skype in Feb 2019 after all applications are received and evaluated.

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One of the main country’s grand challenges is to implement an aquifer storage and recovery scheme, which requires understanding of the flow regime and quantification of the natural rainfall recharge.

This study uses a water balance model coupled with Monte Carlo Simulation to quantify rainfall recharge.

The Office of the Registrar conducts open labs each quarter in collaboration with Stanford Libraries DLSS service management staff, explaining the electronic process to students as a support option in addition to the documentation available online.

The streamlined submission process saves time for the Registrar and students alike, and reduces environmental impact by eliminating the need to print multiple paper copies for binding, or even more copies when last-minute corrections are required.

As a post-digital tendency, contemporary musicians using live electronics seek to recover tactile and physical actions in performance.

This thesis shows the ways in which the turntable allows artists to develop personal instruments from ready-made products and to emphasise specific sensual-bodily aspects.For further information, including about cookie settings, please read our Cookie Policy .By continuing to use this site, you consent to the use of cookies.We use cookies to offer you a better experience, personalize content, tailor advertising, provide social media features, and better understand the use of our services.To learn more or modify/prevent the use of cookies, see our Cookie Policy and Privacy Policy.These mechanical movements embody rhythmic loop structures with temporal inconsistencies, creating a mechanical techno.Having been considered redundant following the introduction of digital media, the vinyl record has recently witnessed a revival.Three case studies examine three distinct artistic approaches: the specific focus of each experimental turntablist varies from playing techniques, to sculptural objects, to mechanical operations.Joke Lanz’s direct and embodied playing negotiates a sound production between signal and noise, musicalises samples, and leads to spontaneous acts with site-specific aspects.In experimental turntablism, sound artists and musicians encounter not only the pre-recorded sound of the vinyl records, as is common in DJ culture and hip hop turntablism, but also accentuate the materiality of the records and turntables themselves.The thesis shows that the record player is itself the key concept within which each experimental turntablist unfolds an intricate dialogue between mediation and materiality.

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