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The site also includes additional materials concerning blackface minstrelsy, vaudeville, and animation, and provides historical and critical context for each media excerpt that complements the printed text.
It also gives the reader, perhaps more familiar with the history of animation than with minstrelsy, a primer in its forms and iterations.
This ambition will make the Introduction useful for teaching subjects related to American racialized performance outside of animation per se, and especially for understanding contemporary iterations of blackface performance and their sheen of irony. While the relationship between blackface minstrelsy and humor permeates the whole book, Sammond gives it special focus in the conclusion.
The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Fitzhugh Brundage, University of North Carolina at Chapel Hill Clare Corbould, University of Sydney Susan Curtis, Purdue University Stephanie Dunson, Williams College Lewis A.
Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society. Erenberg, Loyola University Chicago Stephen Garton, University of Sydney John M. [It] stands as an excellent overview that fills a large gap in the scholarship."--The Historian "An invaluable introduction to the emergence of African American popular culture."--Florida Historical Quarterly "This first-rate collection of essays seeks to move conversations about black performance, black culture, and the embodiment of both beyond the heretofore 'comfortable' terrain of blackface and minstrelsy.
This collection of thirteen essays, edited by historian W.
Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century.Sammond’s book does not lend itself to quantitative analysis, but it provides a necessary hermeneutic frame for those types of inquiries.Similarly, some readers might desire a more direct treatment of how contemporary audiences read blackface minstrelsy and its vestiges in cartoons, but that terrain has been well covered by scholars, and so Sammond can serve as a counterpoint.takes a “bad object”—in this case, blackface minstrelsy—and details its centrality to the rise of early American animation and, by extension, the development of the national film industry more broadly.Indeed, even if it garners no mention (an absence that reads as a deliberate gesture, given the book’s evocative title, and one that has a lexical effect that parallels the “vestigial minstrels” of his study).Rather, American animation is actually in many of its most enduring incarnations an integral part of the ongoing iconographic and performative transitions of blackface.Mickey Mouse isn’t This is an uncomfortable assertion, at least for those who want to believe in an innocence of animated characters that their history refutes, but it is a necessary one.Giggie, University of Alabama Grace Elizabeth Hale, University of Virginia Robert Jackson, University of Tulsa David Krasner, Emerson College Thomas Riis, University of Colorado at Boulder Stephen Robertson, University of Sydney John Stauffer, Harvard University Graham White, University of Sydney Shane White, University of Sydney “Recommended. All levels/libraries.”--Choice “These essays do genuinely deepen our understanding of black participation in the burgeoning consumer culture of America. underscoring the role of African Americans in the making of American modernity.”--Southern Historian “[Brundage] has edited this timely volume with authority and thoroughness.”--North Carolina Historical Review "This volume is a rich synthesis of the history of African Americans and mass culture from the late nineteenth century through the 1930s. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture.With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture.