Fukuyama End Of History 1989 Essay

The targets are the same as they ever were—migrants, the un- or underemployed, those in need of...

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So even as we feel the people around us becoming more comfortable making racist remarks, we also start to sense our political consciousness shifting, because it seems clear that the consolidation of free-market democracy is starting to buckle completely.

It might be that we are only now seeing how it was a Ponzi scheme all along.

Origin myths are proliferating while identitarian and sectarian movements guided by advances in communication technology might have more in common than we think with the private business interests that someone like Narendra Modi’s ultranationalism in India answers to. × In the summer of 1989, Francis Fukuyama published his infamous essay declaring the global triumph of free-market liberal democracy over communism as the end of ideology as such.

It would be the endpoint of a human consciousness based in...

What was clear from the issue was that the situation had become unbearable, and yet we were all surprised to find it coming out at the start of the Arab Spring.

Now the picture looks a little different and it seems like a moment to step back and try to understand how history and notions of progress seem to be twisting back on themselves.It seems art does not end only because it has flowed into life, but also because its conditions have become too contradictory to be contained any longer.On the one hand, we might wonder whether a Sunni or Shia militia commander would say something similar about the internal contradictions of a puppet regime he seeks to topple.No wonder funding is being pulled and artists are concerned with strategic withdrawal—everyone is bored sick of the waves of inflationary and depressive episodes of large-scale, bombastic zombie exhibitions.And yet swaths of participating artists pull out after realizing their works are being produced by a weapons manufacturer or the security company managing internment camps.How to characterize this period post-crash, or post-post-crash if we assume that the measures taken (austerity, the destruction of the welfare state) have largely been set in motion, if not completed?1 The deliberate shifting of blame that saw the public sector punished for the crimes of the private allowed various other modes of the dis- or rather misplacement of resentment to be mobilized.Perhaps this very prospect of centuries of boredom at the end of history will serve to get history started once again.History is coming back, but not in the way we understood it in the idealist tradition.History is not beginning again, because it never really ended.Rather, the idea of a homogenous system built on idealism has become unsustainable and has given way to the many identitarian battles that it has had to suppress in order to keep itself going. Kojève proclaimed that art would disappear in the universal homogenous state, and it probably did.

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