The unfriendly and gloomy atmosphere also contribute in helping characterize the people who live there, as Heathcliff’s behaviour is unfriendly itself, ‘I beheld his black eyes withdraw so suspiciously under their brows.
’ Lockwood’s narrative is the other framework of the story, presenting the world as he sees it, bringing the reader closer to the action and truth of the novel at the same time as introducing them to the realities of the hostile and bewildering environment he encounters.
The semantic field of violence and lexical choice of words such as ‘squeeze’ emphasises the violence in even of Nelly who it seems loves him overwhelmingly as well as the brutal rage of Hareton’s father who ‘flung’ and ‘dashed’ him, suggesting that the fear of death is always present.
This shapes the reader’s view of the novel and the entire mood becomes darker.
His detailed description gives the text a sort of intensity that contributes to the drama and goes hand in hand with the intensity that two old enemies would have between them.
All of this makes the gothic elements of the novel feel more credible.Overall the novel’s setting and narration does contribute to making the gothic elements more credible as the narration is based on first hand accounts giving the novel a sense of truth and the settings provide the perfect background and atmosphere for the horrific acts and violent pieces of action to take place.Gothic Elements in Brontë’s “Wuthering Heights” The aim of this paper is to provide an overview of the most prominent Gothic Elements found in Emily Brontë’s novel Wuthering Heights.And Catherine has a heart as deep as I have; the sea could be as readily contained in that horse-trough, as her whole affection be monopolized by him’ or as the quote also suggests, it could be born out if his jealousy and hatred of Linton.Other characters also embody the violence that exists simultaneously throughout the novel; ‘Harteton was impressed with a wholesome terror of encountering either his wild beasts fondness of his madman’s rage, for in one he ran a chance of being squeezed and kissed to death, and in the other of being flung into the fire, or dashed against the wall’.Both novels thoroughly enhance the Gothic genre and contain many of the key elements you would expect.In Victorian Britain Gothic literature contained many features of the supernatural, both psychological and physical, such as; mystery, The novel teases the reader with the possibility that Heathcliff is more than he seems – perhaps his cruelty is merely an expression of his frustrated love for Catherine, ‘If he[Linton] loved with all the powers of his puny being, he couldn't love as much in eighty years, as I could in a day.Traditional gothic texts normally contain ‘a large mansion or remote castle’ such as ‘The Castle of Otranto’ which is believed to have been the first gothic text, ‘which is foreboding: usually isolated from neighbours.’ In ‘Wuthering Heights’, Bronte uses both Thrushcross grange and Wuthering Heights to depict the isolation and separation within the novel.The gothic qualities possessed by Wuthering heights is further emphasized by an observation of its dwindling facades; ‘I paused to admire to admire a quantity of grotesque carvings lavished over the front, and especially above the principle door; above which among the wilderness of the crumbling griffins and shameless little boys I detected the date 1500’.The deteriorating condition of Wuthering Heights along with the date suggest it to be an ancient mansion, and the place upon which it sits, an ominous ridge exposed to the mercy of the north winds, present the dark and gloomy atmosphere perfectly.