Stanislavski Brecht Essay

Stanislavski Brecht Essay-42
The director's main task is to find meaning in the text and convey that meaning to the audience.The art of the director is to radically re-interpret the classic text in order to make it relevant for a contemporary audience.

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When creating a character you may need personal experiences although, you must wipe out idiosyncrasies to create an original character.

Exercises such as; ‘slaps’ and ‘milling and grooving’ helped students show a part of their idiosyncrasies.

Stanislavski’s process of character development, the "Stanislavski Method", was the means for method acting.

It was, and still is, the most influential acting system on the Collecting personal experiences helped them act with a sense of feeling and emotion.

Konstantin Sergeyevich Alexeyev was born in Moscow, Russia in 1863.

He was first seen on stage at the age of seven and at the age of twenty-one he changed his stage name to Konstantin Stanislavski.He was founder of the first acting “system”, co-founder of the Moscow Theatre (1897), and a renowned practitioner of the naturalist school of thought.In 1987 he also met Russian playwright, Anton Chekov.The director's job was to focus on `the management' of a production to keep it moving forward.But this was soon to change, on May 1, 1874 the Duke The role of the director has been debated throughout history and many directors have taken different approaches to interpreting a script and creating a piece of theatre.” is Stanislavskian – it endorses the idea that the character is more than what’s being shown onstage, that the audience is privy to just the tip of the dramatic iceberg.He’d encourage actors to ask “What if I was in the character’s situation? Understanding that there was more to a character than could be portrayed. (He also did some cool stuff with physicality and embodying emotions through actions, but that doesn’t really factor in here.These differences that famous directors have encountered have caused many problems and debates, questioning what the role of the director really is.An example of a director's vision on how a script should be turned into a theatrical success was Konstantin Stanislavsky's adaptation of 3 Anton Chekhov plays: The Seagull, Three Sisters and The Cherry Orchard.Stanislavsky had ideas on directing that he had developed during his career in theatre, these ideas had become his conventions and were common in his plays.These values and conventions not only influenced the way in which he constructed a performance but also influenced the way Stanislavsky's interpreted a script.

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