Tempest Critical Essay

Tempest Critical Essay-64
But the storm is a magical creation carried out by the spirit Ariel, and caused by the magic of Prospero, who was the Duke of Milan, before his dukedom was usurped and taken from him by his brother Antonio (aided by Alonso, the King of Naples).

But the storm is a magical creation carried out by the spirit Ariel, and caused by the magic of Prospero, who was the Duke of Milan, before his dukedom was usurped and taken from him by his brother Antonio (aided by Alonso, the King of Naples).That was twelve years ago, when he and his young daughter, Miranda, were set adrift on the sea, and eventually stranded on an island.Prospero plots to reverse what was done to him twelve years ago, and regain his office.

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The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone.

After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants—Caliban, a savage monster figure, and Ariel, an airy spirit.

The Tempest has been put to varied interpretations—from those that see it as a fable of art and creation, with Prospero representing Shakespeare, and Prospero’s renunciation of magic signaling Shakespeare's farewell to the stage, to interpretations that consider it an allegory of Europeans colonizing foreign lands.

A ship is caught in a powerful storm, there is terror and confusion onboard, and the ship is shipwrecked.

The Tempest begins with the spectacle of a storm-tossed ship at sea, and later there is a second spectacle—the masque.

A masque in Renaissance England was a festive courtly entertainment that offered music, dance, elaborate sets, costumes, and drama.

In Shakespeare’s play, the storm in scene one functions as the anti-masque for the masque proper in act four.

The masque in The Tempest is not an actual masque, it is an analogous scene intended to mimic and evoke a masque, while serving the narrative of the drama that contains it.

In act four, a wedding masque serves as a play-within-the play, and contributes spectacle, allegory, and elevated language.

Though The Tempest is listed in the First Folio as the first of Shakespeare’s comedies, it deals with both tragic and comic themes, and modern criticism has created a category of romance for this and others of Shakespeare’s late plays.

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