Violence Video S Essay

It would therefore seem that images of executions are less problematic than the methods employed to kill people.For example, the perception of images of a shooting will be deemed less painful than that of images of a beheading, associated with an unbearable level of pain.This is the approach I have followed for the cases that will be presented here: my first goal was to assess the pool of existing images, the second to distinguish the different ways in which these images are treated, depending on the media and sometimes on the country.

It would therefore seem that images of executions are less problematic than the methods employed to kill people.For example, the perception of images of a shooting will be deemed less painful than that of images of a beheading, associated with an unbearable level of pain.This is the approach I have followed for the cases that will be presented here: my first goal was to assess the pool of existing images, the second to distinguish the different ways in which these images are treated, depending on the media and sometimes on the country.

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The media have got into the way of treating images of violence differently from other types of images, as if what they reveal about the violence of the world were unbearable, as if this violence had better be talked about but not shown.

What war does to the body is never shown, nor are the beheadings of hostages, the victims of terrorist attacks, of lynch mobs, or the corpses artfully arranged by Mexican gangs in their urban wars against one another (30,000 people have been killed over the last few years), just as, in a different register, we never get to see pictures of road accidents or crime scenes.

Should we then show images of violence, and if we do, should we show all of them?

How do we decide what should be shown and what should be kept hidden?

Although easily accessible on the Internet, images of violence are often occulted in the French media.

Why are some images shown while others are kept out of circulation? The pictures of Darius, a young Rom who was lynched and left for dead in a supermarket trolley in 2014 in Seine-Saint-Denis, were not released in the French press.

Discovering these pictures on the websites of foreign media comes as a shock to those who did not know such pictures existed.

The pictures are distressing indeed: they show a swollen face covered in blood, a corpse-like body that could pass for the body of a war-victim, except that the assault took place only a few kilometres away from Paris.

channels and newspapers are never totally transparent about the way they decide which pictures can be shown and which cannot.

All they say is that following a preliminary viewing, the editorial board thought that some pictures were not « appropriate ».